Ramón Ayala was born December 8th, 1945 in Monterrey, Mexico. He is a master accordionist, vocalist, and songwriter with a career that spans over 40 years. Ramón Ayala has defined norteño music with signature songs and definitive instrumental styling that have made him a superstar on both sides of the El Rio Grande. Ayala, son of local musician Ramón Cobarrubias, began playing his favorite instrument, the accordion when he was six years old.

Inspired and supported by his parents, he performed in different public places to help his modest family. His first band experience was a group called Los Jilgueros de Marin, later he joined Los Pavorreales. As a teenager in the early sixties, Ramón virtually invented modern conjunto music, teaming up with the late bajo sexto guitarist/vocalist Cornelio Reyna to form Los Relámpagos del Norte

The duo forged a distinctive sound and compiled a roster of songs that have since been covered by countless artists in contemporary Latin music. Their first hit single “Ya No Llores” was recorded in 1963. For the next eight years, Los Relámpagos del Norte tore up the music charts by revolutionizing and re-inventing norteño music, a genre that was then considered exclusively cantina music. Ramón and Cornelio livened the music and lyrics in order to reach and appeal to more people. The talented duo recorded a total of 20 albums leaving behind many classics.

After Cornelio Reyna left to pursue his own ranchero career in 1971, Ramón Ayala set out to prove that he could make it on his own and formed the legendary band, Ramón Ayala y Sus Bravos del Norte in late 1971. Early next year Ramón was growing and already making a name for himself with his new vocalist, Antonio Sauceda.

Changes were yet to come, Antonio Sauceda showed a renewed interest in Christianity and decided to join a Christian seminary, this time Eliseo Robles joined the band, leaving behind the Satellite’s de Fidencio Ayala (Ramón’s brother). Together, Ramón and Eliseo forged a partnership that artistically surpassed all others and that to this day still remains as the premier perfection of the genre. They created a style that became the standard for norteño music.